Carolina Brownell Piano Studio
“A música, como toda a arte, eleva a autoestima. Através do contato com a música existe um crescimento espiritual, cívico e social”.(Leo Gandelman)
sexta-feira, 26 de maio de 2017
SOUNDCLOUD
https://soundcloud.com/carolkidman?utm_source=soundcloud&utm_campaign=share&utm_medium=facebook
quarta-feira, 15 de junho de 2016
9 Tips for Teaching Piano To Young Ages
As piano teachers, we wear many hats. School teachers often teach only one age group, or a few age groups. Piano teachers are usually expected to be able to teach from age 5 to 95! But as we all know, teaching a 5-year-old is much different from teaching a 15-year-old, or a 55-year-old. :)
In recently thinking about this challenge of being able to effectively teach various age levels and maturities, I decided to make a list of some of the things I’ve learned over the past few years about teaching young ages — I’m thinking, ages 6 and under. I learned some of these things from an Early Childhood Music course I took during grad school and various piano pedagogy courses — but I learned many of these things purely from experience. Here goes:
- Don’t ask questions that you don’t really want answers to. Examples: “Did you like that?” or “Do you want to try it on your own now?” Sometimes if given the option to opt out of something, children will say “no” simply because you’ve given them a choice. :) It’s better to make statements.
- Give them time to think. When you ask a question, wait for them to process and compose a response. Sometimes we ask questions and then blow right on without getting an answer. Young children need this think time. If you don’t really want to wait for an answer, then don’t ask the question in the first place.
- Only give them tasks and activities that you are 100% sure they will succeed at. Studies have shown that the most effective way to learn is to have a series of successive challenges, where each challenge is only slightly more challenging than the previous. Huge challenges often discourage students — especially when they are young children. Give them small challenges, so they experience many small successes as they learn. My mantra: Always set the student up for success.
- Give concise instructions. If you speak only a few choice words at a time, the student will really listen when you speak. In Dalcroze training, teachers are taught to give no more than a few words of instruction at any given time to children (I think the magic number is 6, if I’m remembering correctly). Sometimes, I find myself babbling when I teach, which can easily lose the child’s attention. I’m trying to teach myself to take a moment to think before I speak. Word choice is important. Challenge yourself to use a limited amount of words before an activity. It will really make you think about what you are saying!
- Be a motivator. A fellow teacher recently said to me: “One of the primary goals of a teacher is to be a motivator.” I think he’s right! Remember that the chief goal is not to get through X amount of pieces or concepts, but to motivate them to want to learn about music. If a child doesn’t “get” a concept on the first try, it’s okay! If you’ve nurtured their excitement about making music, you’ve still met your goal as a teacher that day.
- Model curiosity. Whenever I can, I phrase things as if we are experimenting: “Let’s find out what happens when we…” Student are always excited to find out what what exciting sounds they can make! Actually, this tip works for all ages, but is especially good with young ages in order to capture their attention and nurture a love of learning.
- Get off the bench! Break up sitting activities with activities that allow them to move around a little. Young students need to move! They should not be expected to sit for an entire half-hour lesson. Find or create your own interactive and movement activities that effectively teach the concepts you want them to learn.
- Experience, symbol, then name. Research studies have suggested that this progression is the most effective way to learn. I think this is especially true with young ages. Instead of starting with the terminology for a new concept, start with an activity that allows the student to experience the concept. Then, find an activity that shows then the symbol. Lastly, share the term with the student. This was something that was drilled in my early childhood music college course, but I was also reminded of it in a recent conference session by Marvin Blickenstaff.
- Reinforcement is the way young students will begin to remember things. Don’t assume they will necessarily remember new things after only the first introduction. In my experience, young children will often remember that they learned about the concept, but might not remember the name (which corresponds with the research studies mentioned in the previous post). Don’t make them feel bad for not remembering things the first time. Pleasantly refresh their memory. Strive to present concepts in a variety of ways, from different perspectives, to appeal to different types of learners.
http://colorinmypiano.com/2011/11/07/9-tips-for-teaching-piano-to-young-ages/
Piano Classes in Melbourne- Autralia
Piano Classes for Children
I am graduating from the Unasp - University of Arts as a Music
Class Topics
MUSIC THEORY
Read and write music, rythmic & melodic dictation, harmony with an original technique.
PIANO
Technique, reading two hands and chords, harmony applied to piano.
If you need learn about a particular genre I can teach you too.
Pricing:
75 $/h
After 7pm
80 $/h
Hours of Operation:
* Monday-Friday 7:00 to 16:00
Hi, I am a 39 years old pianist, 20 years experimented music teacher from Brazil.
I offer lessons AT HOME for all and beginners.
I am graduating from the Unasp - University of Arts as a Music
Class Topics
MUSIC THEORY
Read and write music, rythmic & melodic dictation, harmony with an original technique.
PIANO
Technique, reading two hands and chords, harmony applied to piano.
If you need learn about a particular genre I can teach you too.
Pricing:
75 $/h
After 7pm
80 $/h
Hours of Operation:
* Monday-Friday 7:00 to 16:00
segunda-feira, 18 de janeiro de 2016
A importância da música na vida das pessoas
“Primeiro, devemos educar a alma através da música e a seguir o corpo através da ginástica” disse Platão.
A música sempre esteve presente na cultura da humanidade. As poesias trovadorescas, acompanhadas por sons, e os poemas simbolistas, que visam à musicalidade nas suas criações, são exemplos do uso artístico da música, no qual o objetivo é proporcionar prazer aos ouvidos e evocar sentimentos.
A música é reconhecida por muitos pesquisadores como uma modalidade que desenvolve a mente humana, promove o equilíbrio, proporcionando um estado agradável de bem-estar, facilitando a concentração e o desenvolvimento do raciocínio, em especial em questões reflexivas voltadas para o pensamento.
Na música estão contidos três elementos: as palavras, a harmonia e o ritmo. Daí a importância da boa e verdadeira música.
A música penetra diretamente em nossos centros nervosos e ordena de maneira rápida e imediata a divisão do tempo e do espaço, além de inspirar o gosto pelas virtudes.
Enquanto as crianças cantam, batem palmas, batem os pés e dançam.É visível que nenhuma permanece quieta, ou seja, os instrumentos naturais do próprio corpo, em sua qualidade de gestos rítmicos primordiais, complementam a expressão melódica do canto.
Ressalto que a participação das famílias também é fundamental nos momentos de apreciação musical, seja na ação de cantar, de ouvir boas músicas, de ouvir músicas clássicas ou sons da natureza. Essas relações permitem o bem estar físico e emocional de todos.
Para cantar com a criança, não é necessário possuir técnicas vocais, e sim deixar a voz sair do coração e passar pela garganta carregada de emoção, e assim conduzi-la. Cante com ela e os laços afetivos certamente serão fortalecidos.
Por Amanda Ferreira
Fonte: http://www.escolavillare.com.br/a-importancia-da-musica-na-vida-das-pessoas/
quarta-feira, 13 de janeiro de 2016
Aula particular de piano
A
Profa . Carolina Varga Assunção ministra
aulas particulares de piano erudito e popular.
AS AULAS
De uma à duas aulas semanais.
As aulas são individuais com 50 min de duração.
Horários das aulas:
De Segunda à Sexta- feira das 8h00 às 17hs.
Sábados das 8h00 ao 12hs.
De uma à duas aulas semanais.
As aulas são individuais com 50 min de duração.
Horários das aulas:
De Segunda à Sexta- feira das 8h00 às 17hs.
Sábados das 8h00 ao 12hs.
Requisitos:
- O aluno deverá se possível ter um piano, teclado ou órgão, caso não tenha, as aulas serão feitas na casa da professora.
- O aluno não precisa ter noções musicais, tendo em vista que esta será ensinada pela professora;
INVESTIMENTO:
Consulte em WahtsApp: (19) 98967-7474
O pacote de aulas oferecido dá direito a 4 aulas mensais. Aulas avulsas serão consideradas caso a caso.
Dados de Contato
Professora: Carolina Varga Assunção
E-mail: cvassuncao76@gmail.com
Whats App: (19)98967-7474
Ministro aulas particulares de piano na região de Limeira. São Paulo-SP
E-mail: cvassuncao76@gmail.com
Whats App: (19)98967-7474
Ministro aulas particulares de piano na região de Limeira. São Paulo-SP
terça-feira, 22 de dezembro de 2015
Assinar:
Postagens (Atom)